Princess Weiyoung

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Edit 1/4/2017: In hindsight, I feel like I overhyped Princess Weiyoung with this review post. After completing (and loving!) Nirvana in Fire subsequently after this one, I thought the latter was much, much better. So if you’re curious what my thoughts were on Nirvana in Fire here is my (massive) review post for that series. I highly suggest watching NiF instead if you haven’t already. It’s also set during the Northern and Southern dynasties and has a revenge plot (like Princess Weiyoung), but the storyline, acting, and execution is more phenomenal!

Alright, everyone, brace yourselves for an extremely long, intense fangirl session. (You’ve been warned.)

Many of you know I’ve been on a hiatus because of school. But fall finals hasn’t been the only thing keeping me occupied. I’m not sure why this always happens… but near the end of the semester (when it’s pretty much a dark time for students), for some stupid reason, I think it’s okay to start watching a drama. Even crazier and worse is that the one I choose tends to become one that I totally obsess over. Last year it was It’s Okay, That’s Love, and this time (no surprise really if you’ve read my latest post or have talked to me outside XingsingsPrincess Weiyoung.

Princess Weiyoung is essentially another revenge plot that takes place during the Northern and Southern dynasties (so roughly sometime between 400 to 600) adapted from a Chinese novel called The Poisonous Daughter by Qin Jian*. The story begins with a general from the Chiyun clan falsely accusing and murdering the Northern Liang’s royal family, turning the young, care free Liang princess, Feng Xin’er, into a girl without a family and identity. Then perhaps by fate, Xin’Er meets and befriends Li Weiyoung, the illegitimate daughter of a general that works for the Northern Wei. Weiyoung dies while protecting Xin’Er, and the latter assumes Weiyoung’s identity and vows to avenge her friend’s death as well as her late family.

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